Poster of Fleur, Feu cur. Claire LeRestif at Le Crédac, Ivry, France. Graphic design : Studio Kiosk.Invitation of Fleur, Feu solo exhibition of Roy Köhnke, curated by Claire Le Restif at Le Crédac, Ivry, France. Graphic design : Studio Kiosk.
Fleur, Feu
Exhibitions views : Fleur, Feu, Le Crédac, cur. Claire Le Restif, 2025, Pictures : Salim Santa LuciaExtreme Softness, Magnetic Tendencies series, Sound : Talita Otovic, 3D : Guillaume Seyller, 2024, Click on pics to WatchHigh Touch, Magnetic Tendies Series, Sound : Low Lov, 3D : Guillaume Seyller, 2024, Click on pics to watchChaotic System, Magnetic Tendencies Series, Sound : Sabrina Calvo, 3D : Guillaume Seyller, 2024, Click on pics to watch
La belle sucette , ou comment diviser la Terre
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.Exhibition views La belle sucette ou comment diviser la Terre, Audio/visual Installation, variable dimensions, steel, paper, wax, miror polish inox, sound spacialization in four points, Off site, Le grand café, Contemporary Art center of Saint Nazaire, cur. Sophie LegrandJacques, Photos crédit : Salim Santa Lucia, 2024( JAILBREAK) Transmission lines, oeuvre sonore, texte originale lu et interprété par une IAE, 10 min 2024
It is Stronger Than I Thought
Exhibition views : It is Stronger Than I Thought, ADAGP, cur. Julien Arnaud, 2023. Pictures : Salim Santa Lucia
[Love Bugs] As a Spit on Dry Land
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Exhibition views, [Love Bugs] As a Spit on Dry Land, 2023, cur. Julie Faitot, Le SHED, Rouen, Fr. Photos crédits : Marc Domage
[Love Bugs] ,
AS a Spit on Dry Land
_The Spit
....Views of the opening performance, by Low lov, Co-written with Roy Köhnke, 30 min, track sound, vocals, linen hair extention, plastic bottles, mineral water, pollen, bee wax, necklace nails, 2023 Exhibition views, [Love Bugs] As a Spit on Dry Land, 2023, cur. Julie Faitot, Le SHED, Rouen, Fr. Photos crédits : Daryl Dschang
BEING FLESH
..Being Flesh, audio/visual installation, UN1– 90 min loop sound track by Unglee Izy, Inox wall frames, tarpaulin, neon lights, dimmer programmer, acrylic glass, 2023 Exhibition views, Ante Futur, cur. Sandra Patron, CAPC, Bordeaux, Fr. Photos credit : Salim Santa LuciaBeing Flesh, Video projection extract, UN1– 90 min loop sound track by Unglee Izy, 2023
Exhibition views, As a Spit on Dry Land, performance by Low lov, co-writted with Roy Kôhnke, 2023, After hours zone, Paris, Fr. Photos crédits : Romain Guédé
AS A SPIT ON DRY LAND _ THE DRY LAND
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Exhibition views, As a spit on dry land, After hours zone, Paris, Fr. Photos credits : Salim Santa Lucia
BEING FLESH / A WORK IN PROGRESS
...Being Flesh / A Work in Progress, 2022, second installation of an ongoing research project Exhibition views, 66em Salon de montrouge, cur. Guillaume Desanges and Coline Davenne, Montrouge, Fr. Crédits photos : Salim Santa Lucia
BULK FLESH STUDIES
..Bulk Flesh Studies in process, installation of sensor on a sculpture before MRI session, CRMBM research center, Marseille, Fr, 2022 Results views from the MRI sculptures at the researcj center. 3D and 2D reconstructions. CRMBM research center, Marseille, Fr, 2022
THROAT & FRAGMENT PARADISE
Throat, plaster, Ethernet cables, steel, wood & Fragment paradise, cold smoked, foam, wood, wool felt, agricultural twine, latex tube, natural twine, 2021 Exhibition views, Skeuma Lekba, 2023, Velizy art center, Velizy, Fr. Crédits photos : Salim Santa Lucia
PROTOTYPE FOR A FULL BODY (IN TWO PARTS)
Prototype in Two Parts For a Full Body, polyurethan elastomer, foam, agricultural twine, latex tube, wax, wool felt, chain, 2021 Ordained, Horny and Horned, 2022, cur. Cedric Fauq, gallery Veda, Florence, It. Crédits photos : Flavio Pescatori
BACK POSSIBILITIES
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Exhibition views LES BOUCHERIES #2 : REVERSE ENGINEERING a group show cur. by Roy Köhnke with Cindy Coutant, Antoine Nessi and Roy Köhnke, Wonder/Fortin, Clichy, FR. Pics by Salim Santa Lucia
TOI700d
Suspended consumption #4, steel, plaster, ethernet cables, chains, 2021 T0I700d, 2021, cur. Fabien Danesi, gallery Fille du Calvaire, Paris, Fr. Crédits photos : Salim Santa Lucia
HYPER CARBONE
Exhibition views : Hyper Carbone, duo show with Pierre Gaignard, Gallery Eric Mouchet 2021. Détails of S.C’s drawing in X-ray style, #1,#2,#3,#4, 2019, pencil on paper, tape. Photo credit. Salim Santa Lucia
DIAMANTS ROUILLÉS
Diamants rouillés, une exposition sentimentale, group show curated by Marianne Derrien, Le point commun, Annecy, France, 2021. Détails of Fragments paradis, 2021, Wood, felt, agricultural twine, latex tubes and Cavity case, 2020 Plaster, foam. Photo crédit : Salim Santa Lucia
ANTE:IRL
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Exhibition views, ANTE:IRL, 2021, Wonder/Fortin, Clichy, France. On view : Fragments paradis, 2021, Wood, felt, agricultural twine, latex tubes, tar bistre ; At heart, 2021, elastomer, agricultural twine, latex tube. Photo crédit : Salim Santa Lucia
PLEXUS SOLAIRE
..Throat, 2020, steel, plaster, 240x140x60cm. Exhibition views, Plexusolaire, Wonder/Zenith, Nanterre, France. Deux premières photo credit : Salim Santa Lucia
THUNDER CAGE
.Exhibition views : Thunder cage, 2020, Thundercage, Aubervilliers, France. Cur. Romain Vicari. On view : Trash land, » cette espèce de boursouflure qu’est la vie » , 2020, vidéo 1min13 ; Ram jacket, 2020, cyanotype, denim jacket, bleach ; Pair of bones, 2020 plaster, shellac ; Ram mat’, 2020, cyanotype, denim, bleach
LOVE STREAMS
Suspended consumption#1, #2, #3, 2019, plaster, ethernet cable, steel, variable dimensions. Exhibition views, Love Streams, a duo show with Michaël Harpin, cur. Tania Gheerbrant, In.Plano, Saint Denis, France. Photo credit. Salim Santa Lucia
FROM RX
.From RX, 2019, Steel, fresh clay, 170 x 80 x 60 cm, Exhibition views, Art-o-rama off, 2019, Adélaide, Marseille
THERMIC KISS
.Abouta thermic kiss, 2019, wood, 200 x 80 x 60 cm, co-production : Les charpentiers de la Corse. Exhibition views, Polychromies, Utopia residency, Ponte Leccia, Corsica
EMERGING MATTER THAT REMAIN UNSOLVED
.Emerging matter than remain unsolved, 2018, plaster, chains, 250x180x80 cm. Exhibition views, 01/12/18, Wonder/Liebert, Bagnolet, France. Two last pictures by Nicolas Topor
.An open sky behind a wire rack série, 2018, fiber glass, epoxy resin, variable dimensions. Exhibition views, À l’étage, 2018, Pop up galerie, Paris, France. Photo credit : Tania Gheerbrant
AN UNCERTAIN BREATH
An uncertain breath, 2018, performance, moto helmet, hand’s warmer. Exhibition views, Fré goû, 2018, Wonder/Liebert, Bagnolet, France. Photo credit : Martin Negro
CROSSING MATTERS
Crossing matters, 2017, two elements, plaster, felt, gold, each d170 cm x h40 cm. Exhibition views, Nos ombres devant nous, cur. Basalte, Fondation d’entreprise Ricard, Paris. Crédit photo : Felix Moy
Roy Köhnke 