As a spit on dry land, 2023, performance réalisée en collaboration avec LOW LOV, 13 min, œuvre sonore et collier de clous retournés (LOW LOV). Vues d’exposition : As a spit on dry land, exposition duo avec LOW LOV, After hours zone, Paris, France. Crédit photo : Romain Guéde
AS A SPIT ON DRY LAND _ THE DRY LAND
As a spit on dry land, 2023, vues d’exposition, (1, 8 = LOW LOV). Crédits photos : Salim santa Lucia
BEING FLESH / A WORK IN PROGRESS
Being flesh / A work in progress, 2022, vues d’exposition, 66 ème salon de Montrouge, com. Coline Davenne & Guillaume Desanges, Crédits photos : Salim Santa Lucia
BULK FLESH STUDIES
Bulk flesh studies, in process, project documentation. Installation of sensors on an elastomer sculpture before the MRI, first session test, CRMBM, Marseille, 2021 Result of MRI capture, two phantoms prototypes section views and 3D reconstruction. Vues en coupes et reconstitution 3D, CRMBM, Marseille, 2022 Partenariat / Coproduction : CRMBM Marseille, Drac IDF, Mécènes du Sud, Jeanne Barret, Buropolis, Voyons voir, Uklukk, Les ateliers Wonde
BEING FLESH /
A WORK IN PROGRESS
Exhibition views Being flesh / A work in progress, plasterboard track, tarp, 2022, Buropolis, Marseille, France. Photo credit : Pierre Girardin
Phantom and #5, (detail) 2022, polyurethane elastomer, bambou, PVC, plaster, agricultural twine, felt, caoutchouc, latex, wax, plastiline, oil, agar-agar, gadolinium, silicone, glass, 160 x 60 x 30 cm Exhibition views Being flesh / A work in progress, Buropolis, Marseille, France. Photo credit : Pierre Girardin
Phantom #5, (detail) 2022, elastomere de polyurethane, bambou, PVC, platre, ficelle agricole, feutre, mousse polyurethane, caoutchouc, latex, cires, plastiline, huile, agar-agar, gadolinium, silicone, verre, argile, 160 x 60 x 30 cm Vues d’exposition, Being flesh / A work in progress, rails placo, bâches, 2022, Buropolis, Marseille, France. Credits photos : Pierre Girardin
Martyrs design #1, #2, 2022, Pencil, wax, cardboard, 15 x 15 cm WhY X ?, prototype, texts, polyurethane foam, 80 x 80 x 20 cm Mold and skin of phantom #5, state before MRI acquisition, plaster, silicone, tarp, rubber, latex, 130 x 60 x 40 cm Exhibition views Being flesh / A work in progress, Buropolis, Marseille, France. Photo credit : Pierre Girardin
Being flesh / A work in progress, (excerpt 1), 2022, digital vidéo, 11:45, 3D reconstruction from MRI acquisition
Being flesh / A work in progress, (excerpt 1), 2022, digital vidéo, 11:45, 3D reconstruction from MRI acquisition
Partenariat / Coproduction : CRMBM Marseille, Drac IDF, Mécènes du Sud, Jeanne Barret, Buropolis, Voyons voir, Uklukk, Les ateliers Wonder
PROTOTYPE FOR A FULL BODY (IN TWO PARTS)
Prototype for a full body (in two parts), 2021, wool felt, polyurethane elastomer, wax, agricultural twine, latex tubes. Exhibition views: Ordered, Horny and Horned , a group show curated by Cedric Fauq at gallery Veda, Florence, IT. Pics by Flavio Pescatori.
BACK POSSIBILITIES
BACK POSSIBILITIES, (series of 5), 2021, cyanotype on paper. Exhibition views : LES BOUCHERIES #2 : REVERSE ENGINEERING a group show cur. by Roy Köhnke with Cindy Coutant, Antoine Nessi and Roy Köhnke, Wonder/Fortin, Clichy, FR. Pics by Salim Santa Lucia
TOI700d
SUSPENDED CONSUMPTION #4, plaster, Ethernet cable, 2021. Exhibition views : TOI700d A group show curated by Fabien Danesi, Gallery Filles du calvaire, Paris, France 2021. Photo credit. Salim Santa Lucia
HYPER CARBONE
Exhibition views : Hyper Carbone, duo show with Pierre Gaignard, Gallery Eric Mouchet 2021. Détails of S.C’s drawing in X-ray style, #1,#2,#3,#4, 2019, pencil on paper, tape. Photo credit. Salim Santa Lucia
DIAMANTS ROUILLÉS
Diamants rouillés, une exposition sentimentale, group show curated by Marianne Derrien, Le point commun, Annecy, France, 2021. Détails of Fragments paradis, 2021, Wood, felt, agricultural twine, latex tubes and Cavity case, 2020 Plaster, foam. Photo crédit : Salim Santa Lucia
ANTE:IRL
Exhibition views, ANTE:IRL, 2021, Wonder/Fortin, Clichy, France. On view : Fragments paradis, 2021, Wood, felt, agricultural twine, latex tubes, tar bistre ; At heart, 2021, elastomer, agricultural twine, latex tube. Photo crédit : Salim Santa Lucia
BULK FLESH STUDIES
Bulk flesh studies, work in progress presentation for the price Mecènes du Sud, 2021. On view : Consumption scan, co-creation with Pierre Gaignard, 2021, vidéo 4K, 01:24 min loop. Photo credit : Elise Ortiou Campion
PLEXUS SOLAIRE
Throat, 2020, steel, plaster, 240x140x60cm. Exhibition views, Plexusolaire, Wonder/Zenith, Nanterre, France. Deux premières photo credit : Salim Santa Lucia
THUNDER CAGE
Exhibition views : Thunder cage, 2020, Thundercage, Aubervilliers, France. Cur. Romain Vicari. On view : Trash land, » cette espèce de boursouflure qu’est la vie » , 2020, vidéo 1min13 ; Ram jacket, 2020, cyanotype, denim jacket, bleach ; Pair of bones, 2020 plaster, shellac ; Ram mat’, 2020, cyanotype, denim, bleach
LOVE STREAMS
Suspended consumption#1, #2, #3, 2019, plaster, ethernet cable, steel, variable dimensions. Exhibition views, Love Streams, a duo show with Michaël Harpin, cur. Tania Gheerbrant, In.Plano, Saint Denis, France. Photo credit. Salim Santa Lucia
FROM RX
From RX, 2019, Steel, fresh clay, 170 x 80 x 60 cm, Exhibition views, Art-o-rama off, 2019, Adélaide, Marseille
THERMIC KISS
Abouta thermic kiss, 2019, wood, 200 x 80 x 60 cm, co-production : Les charpentiers de la Corse. Exhibition views, Polychromies, Utopia residency, Ponte Leccia, Corsica
EMERGING MATTER THAT REMAIN UNSOLVED
Emerging matter than remain unsolved, 2018, plaster, chains, 250x180x80 cm. Exhibition views, 01/12/18, Wonder/Liebert, Bagnolet, France. Two last pictures by Nicolas Topor
An open sky behind a wire rack série, 2018, fiber glass, epoxy resin, variable dimensions. Exhibition views, À l’étage, 2018, Pop up galerie, Paris, France. Photo credit : Tania Gheerbrant
AN UNCERTAIN BREATH
An uncertain breath, 2018, performance, moto helmet, hand’s warmer. Exhibition views, Fré goû, 2018, Wonder/Liebert, Bagnolet, France. Photo credit : Martin Negro
CROSSING MATTERS
Crossing matters, 2017, two elements, plaster, felt, gold, each d170 cm x h40 cm. Exhibition views, Nos ombres devant nous, cur. Basalte, Fondation d’entreprise Ricard, Paris. Crédit photo : Felix Moy
Roy Köhnke 